^Massimo Scolari, Study Sketches for Invisible Cities, 1976-79
“In the design process, the imprecision of the sketch and digital precision are not in contradiction. It is a matter of two distinct but complementary mental sets wrongly cast in opposition; two graphic expressions which are, in any event, secondary after the clarity of the mental image that each architect should have well-defined before touching a computer or a pencil. This initial phase –the mind’s drawing- loves the slow pace and the silence of reflection, an unfolding dialogue with memory since nothing comes from nothing, and if something came from nothing, it can as quickly disappear into nothingness with a click of the mouse.”
Extract from Massimo Scolari's "Representations" published in Log 26, Fall 2012
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