Monday, 15 December 2025

Click Your Heels Together Three Times

In 2023 I designed a new public art installation for Canary Wharf, seen in the below photo by Gareth Gardner. For the first month after it was installed there were little printing machines at five different places in the estate that would print one of these six poems, chosen randomly, when a button on the machine was pressed.


Poem 6

 

Nature is a kaleidoscope of complexities,

It exists like this hand, or this foot,

just there,

it doesn’t have a meaning.

 

It is soft and hard, carapace and flesh,

It isn’t right or wrong,

It doesn’t command us to do or not to do.

Nature is a universe of childlike irrepressibility.

 

I gently touch the soft spot on the crown of your head,

Where the golden hairs whorl in

A little galaxy of gentleness.

 

They call us unnatural,

But we are a milky-way of kisses and laughs.

  

 

Poem 5

 

Existence is transitory

You told me with a tremendous air of self-assurance, and I believe

you believed what you said

as you pontificated about how religion

is the source of all evil.

This was the day before you very ceremoniously explained

we could no longer be friends.

 

Nothing to do with me coming out you said,

no not at all,

Which of course must’ve been true to you because

you always convinced yourself

of your own ideas.

 

You must forgive me for still being resentful,

For never having had your certitude, 

or the self-righteousness of your moral & ethical positions.

I’m super sure that Engels would’ve approved as

You walked away

Just as the spittle began to fly.

 

Poem 4

 

Put your head in my lap

and look up

 

See that little marble inside you?

It rolled in there at some point,

And got lodged.

 

Soak me up

and you’ll find that it

blossoms

With tiny warm lips and the softest down,

On a landscape of milky hills

 

That Wobble

so adorably when I tap them.

 

When we are allowed to find each other

We bloom.

 

   

Poem 3

 

Angels are supposed to have no gender

But I didn’t know,

and I always wondered if they were like that because

my mother sang to me in a language that wasn’t hers,

In a country new to her. 

 

I felt completely safe listening to words I couldn’t understand.

 

My guardian angel had no understanding of

the finer intricacies of socialising.

That must’ve been why the boy pushed me off the bus,

and why my friends stopped calling

or answering.

 

The day I was asked to leave

I felt so incredibly free,

Walking home in the middle of the school day

with my shirt soaked right through from the summer rain.

 

That was the day I never needed to go back to,

like my mother saying Freddie Mercury died

because he was gay

and then discovering that in order to live fully

you can’t live in other people’s opinions.

 

So Matthew took me to Montreal

and debated framing his book as ‘queer literature,’

the manuscript of which made me

See a future of making beautiful,

lost things.

 

Many children dream at night that they can fly,

It’s a vision of agency, and adulthood.

Having made it past the age of 18

I studied architecture in the anticipation of

Defying gravity.

 

Billions of birds die every year after smashing into glass buildings,

And other people’s utopias are always deadly,

Because the perfect is the enemy of the imperfect.

 

  

Poem 2

 

Your existence

changes the weight

and orbit of my world.

 

Potters turn clay into pots

Literally,

We come into being by being seen

Together,

Like eccentric moons,

We change the tides when we come out.

 

Poem 1

 

I am proud of you

-Of us-

For making it this far.

 

Many baby turtles get picked off

By birds

Before they make it to the sea,

And we keep being told that

Rainbows aren’t real.

 

If that’s the case then how is it

That we are both here,

In this little place we painted and feathered.

 

I left something for you on the table.

A symbol of my mixed feelings

About the fragility of what we’ve built

Here.

 

I am proud of myself

For caring about the hydrangeas we planted,

And our dogs

While the burning world outside

 

Slowly creeps towards the door.

 

 

 

 


Unbound Expressions

A text I wrote for a special publication by the Architectural Review in June 2023 edited by John Hennifer Marx that was entitled "Towards Abundance, The delightful Paradoxes of Gender"