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Thursday, 15 January 2026

Ryou-Un Maru

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You swallowed salty water and it went up your nose There was a child there once, right in that feeling Because you spoke too little abou...
Monday, 15 December 2025

Click Your Heels Together Three Times

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In 2023 I designed a new public art installation for Canary Wharf, seen in the below photo by Gareth Gardner. For the first month after it w...

Unbound Expressions

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A text I wrote for a special publication by the Architectural Review in June 2023 edited by John Hennifer Marx that was entitled "Towar...
Sunday, 20 September 2020

The Social Media Monster

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  An essay for the "Identity of the Architect" edition of Architectural Design, November 2019, edited by Laura Iloniemi, and for w...
Monday, 1 October 2018

Dalibor Vesely on Ornament

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This extract from an interview between Patrick Lynch and Dalibor Vesely "inhabitable models: Eric Parry architects, Haworth Tompkins...
Saturday, 19 May 2018

The Freedom of Aesthetics

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An essay published in the "Freedom and Architecture" edition of Architectural Design, guest edited by Owen Hopkins
Friday, 27 April 2018

The Roman Singularity

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Published in Platform Magazine, March 2018

Nostalgic Futures

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Published in the April 2018 edition of Real Review Simmering throughout 2014 and 2015, and eventually boiling over in condemna...
Friday, 24 November 2017

R7 King's Cross

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A Building review in Architecture Today November 2017 I am standing on a terrace 7 floors above the new King’s Cross re-deve...

AT&T

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In Icon November 2017 There is currently a proposal by Snohetta to slice the front off the base of Philip Johnson’s iconic AT&...
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Adam Nathaniel Furman
I'm an artist and designer based in London
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